Frederick Ferdinand Schafer Painting Catalog
Conventions: Provenance and exhibition history
| Provenance: This entry comprises a list of known holders of the painting, earlier holders first. Semicolons separate holders who are in an unbroken provenance sequence, while a period indicates an apparent gap in the provenance. Holders preceded by the word "with" are dealers or auction houses who may have had the painting on consignment rather than owning it. In addition, they may or may not have actually sold the painting. In some cases where acquisition or disposition dates are not known a date appears preceded by the word "in" or "by", meaning that that the holder is known to have held the painting as of that year. Starting in 2016, the provenance of newly-added and updated paintings are more informative; they follow current recommendations of best practices by the Kress Foundation, the Art Institute of Chicago, the Los Angeles County Museum of Art, and the Getty. The significant changes are to include more detailed information about ownership transfers and to place that detail between the prior and next owner records. |
Personal holdings are listed as "private collection" unless the owner's name has appeared in public or the owner has specifically authorized public disclosure. Dealers and auction houses are normally identified. The full name and address of the dealer, or full identification of the auction catalog, if known, appears in the citations.
It should be noted that virtually no Schafer painting has complete provenance. There are two main reasons for this lack. First, Schafer's personal papers have not turned up, so there are no records of the original purchasers. As a result, paintings can sometimes be traced back to the time that the artist was active, but cannot be connected to the artist's original sale. Second, during the middle part of the 20th century, and especially just after the second world war, the professional art world considered realistic paintings of western landscapes to be inconsequential decorations, and when houses were redecorated these paintings were often given or sold to salvage dealers who were primarily interested in their frames. Collectors of the 1960's report finding stacks of unframed paintings in the back of junk shops, with no information about their origins. For the same reason, these paintings often come with no information other than "When Grandmother died we found it in the attic." Consequently the provenance of many of these paintings begins with a recent owner, an antique dealer, or an auction house.
Exhibited: If the painting has appeared in an exhibition, this entry gives the name, location, and date of that exhibition. A fuller citation of the exhibition and of any exhibition catalog can be found in the citations, which are in order by the name of the exhibition. This entry includes both museum exhibitions and those assembled and advertised by galleries and dealers, but it does not include the brief exhibitions that usually precede auction sales.
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|Feb 20, 2017, 21:05 MST|